Saturday 28 April 2012

I'm not Forrest Gump you know!

Title: Adam
Date: 2009


Now I don't know much about the autistic spectrum, and I can't say it really featured all that much in life for me.  That was until I read 'The Curious Incident of the Dog in the Night-Time' by Mark Haddon. I won't ruin the story, because I think it's one of those books that aught to be in the top ten of any 'books to read before you die' lists. 


If you're someone who tends to judge a book by its cover (we've all done it!), then you'll glean little from this one, even the description on the back does little justice to the overall film. As the title suggests, our protagonist is Adam. He's 29, and up until six weeks ago, lived in a neat and tidy little world with his father in the big city. The film opens in his father's funeral, as Adam tries to come to terms with having to fend for himself, we the viewers begin to learn of his little nuances, All Bran for breakfast and then Mac&Cheese and broccoli for dinner, every single day.


He scribbles 'dad's chores' from the rota on the fridge, a move which I found particularly poignant, after-all, to Adam this is just fact. He picks up the broom and takes on-board his father's duties as simply as if he were putting on a tie. There is an overlying feeling of melancholy throughout this film, you fall in love with Adam, who is played by Hugh Dancy, so well in fact that the storyline draws you in, and holds you there until the very last second, and you're left with a quite sense of peace as the credits roll and the music plays.


But getting back to the film, we meet Beth. She's a little like Adam in her own way. Having recently come out of a messy breakup, she meets Adam in the laundry room of the building they share. A little scatterbrained, but quietly curious she accepts Adam as he is, and when she learns of his Aspergers syndrome simply takes it in her stride. Both Adam and Beth help draw each other our of their shells as the story progresses. One evening, Adam tells Beth he has something to show her, and takes her to Grand Central park, where he shows her two raccoons living in the bushes. As Beth is a writer this inspires her to write a story about the raccoons.


There is occasional narration during the film, by both Adam and Beth, which helps to give an insight into what they're thinking. I wonder if this is because neither of them will ever know what the other one is thinking, and this is an ongoing issue for Beth, the one piece of narration that really gets me is right at the beginning, where Beth says:


"My favourite children's book is about a little prince who came to Earth from a distant asteroid. He meets a pilot whose plane has crashed in the desert. The little prince teaches the pilot many things, but mainly about love. My father always told me I was like the little prince, but, after I met Adam, I realised I was the pilot all along."

I think we're all the prince, and the pilot. To our parents perhaps we teach them about a different kind of love. But then when you go out into the world, and you meet someone special or have children of your own you realise that it is your turn to be the pilot.

Although never conventional, their relationship has a certain innocence to it, when she is sad after learning her father has to stand trial for something we never really come to understand, she has to explain to Adam that hugging is considered the norm when your other half is sad. This is another endearing part of the film.

Not far into the film, Adam is sadly fired from his job working as an electric engineer at a toy company, and while looking for another job, Beth pretends to be the interviewer so Adam can understand the process and learn to interact as NT's would (neurotypicals, or people without Aspergers). At the same time Adam is offered a job on the otherside of the country, Beth's father is found guilty and sent to jail for two years. Unable to give her an answer when she asks him why he wants her to move to California with him, Adam is forced to do something terrifying and move out alone.

The film fast-forwards a whole year and we see Adam delivering a tour to some very bored looking school-children and talking about telescopes and how a large image of space is made up of lots of smaller images from multiple scopes. He stops himself from talking too much, a residual part of Beth's teachings from earlier in the film. When a colleague tells him that he has a package, he offers to help her carry the boxes, another mirror from the beginning of the film as Beth struggled up the steps to the apartment with heavy groceries and is ignored by Adam.

Finally, on opening the package it is a book entitled 'Adam' written by Beth about a family of raccoons living in Grand Central park and the film ends.

I quite simply love this film, the only downside that I can find is that the Americans pronounce Aspergers like Ass Burgers, which is quite distracting!

9/10.

Saturday 7 April 2012

It all started with a butt-squeeze!

Management (2008)

Dubbed as a 'touching' comedy, this quirky little piece of cinematic joy sees travelling art-saleswoman Sue (Jennifer Aniston) drop in the Kingman motel to stay. She gets a little more than she bargained for in the shape of Mike (Steve Zahn), the nerdy and needy night-manager of his parent's motel. One look (and touch!) of her behind sees him determined to get the girl.

Awkwardness ensues as Mike tries to impress the lady, turning up at his door with a bottle of cheap wine and the excuse 'all our customers get a bottle of wine', when that fails, he turns up with a bottle of champagne and Sue lets him touch her butt to get him out of his hair. The next day as Sue is leaving, she changes her mind and returns to a rather glum looking Mike in the laundry room where they proceed to have a bit of a lacklustre romp.

Assuming she's seen the last of him, Sue leaves. But a holiday romance is the last thing on Mike's mind as he makes the first of three journeys cross country to see Sue. Mike lands in Baltimore and surprises Sue at work who kindly allows him to stay. We begin to see more of Sue, she likes women's indoor football (I know, I'm rolling my eyes too), and handing out vouchers for Burger King food to the local homeless people. After a little while Mike gets on a bus and leaves Sue once more, I should add here that kudos to Steve Zahn, he can do the hang dog look like no one else I know. Sad as it may be, I just wanted to give him a massive hug. While in Baltimore, Sue tells Mike he should quit smoking, so he turns and throws his cigarette away quite dramatically, and says 'I just did'.

Back at home, he returns to the grind of the night shift and who should turn up unnexpectedly, on his fag break? Yep. She says 'I thought you quit smoking?' Mike drop kicks his ciggy (seriously, it was possibly the funniest part of the film!) and says 'I just did.' He asks Sue to join him at a yoga class, and then to visit his mother with him as she is sick. A strange but compelling conversation between strangers Sue and Trish (Margo Martindale) who tells Mike later to go out and find what makes him happy.

Shortly after Sue's latest departure, Trish sadly passes away, we never learn what's wrong with her, but there's a touching father/son scene as they scatter her ashes. Jerry (Fred Ward) tells his son that he's free to leave, and Mike is off again, not before pawning his mother's necklace that his father had passed on, so he could afford to once more head cross country after his love.

It's around this time that Mike picks up his Asian buddy and wingman Al (James Hiroyuki Liao), who's probably the funniest character in the film. With his help Mike gets a job and a place to stay while he looks for Sue. It turns out that she got back with her ex, Jango (Woody Harrleson), so what does Mike do? Yeah, you got it! He parachutes into their swimming pool, gets shot byt Jango with a BB gun and ends up in hospital only to get spurned once more by the leather-hearted Sue.

But then it's clear that as a glutton for punishment, he isn't going to give up easily. Not even after getting head-butted by Jango, who has a dog-wielding meat-cake air-headed side-kick in tow. Even after a beautiful serenade by Mike and Al (on percussion), Sue is still having none of it and visits Mike in his basement at the Chinese restaurant to tell him she's marrying Jango and is with child, and no it isn't Mikes. 'I want someone who's in control of their life' Sue tells him, in anger Mike screams at her to leave.

Standing in the sidelines, Mike and Al watch Sue marry Jango on the beach. As as joke, Al says 'makes you want to become a Buddhist monk.' Which unsurprisingly, Mike takes seriously. Four months later he returns to the motel and his father who hands him the deeds. He decides to turn the motel into homeless shelter with midnight basketball, something Sue had mentioned always wanting to do. He calls Jango to try and speak with Sue, but he is informed that they are no longer together and that Sue is living with her mother.

For the third, and final time Mike travels across the country, and finally he gets his happy ending, but we all knew that was coming, didn't we?

All in all, it wasn't spectacular, but I enjoyed the film because of Steve Zahn's performance, he was a very convincing and loveable stalker who has the best puppy-eyes anyone could have. It's a 'nice' film, that's easy to watch and makes you smile at the end.

7/10


Saturday 28 January 2012

Truth counts in a relationship!

Title: Beautiful Lies
Year: 2010

Emilie (Audrey Tautou) runs a busy hairdressing salon, one day she receives an anonymous love letter, which she forwards on to her lonely mother Maddy (Nathalie Baye) thinking it will cheer her up. However, the sender is her maintenance-man Jean (Sami Bouajila), who sees Emilie screw up the letter and throw it away. Unbeknown to him, Emilie continues to write to her mother under the guise of an anonymous lover.

By the third letter it becomes known that Jean is in-fact a very intelligent linguist, and suddenly self concious, Emilie finds it almost impossible to be around him. Desperate to get him out of the salon for a while, she sends him to the mail. Sticking stamps on the letters he realises he's out of stamps with one letter left to post, Maddy's love letter. So he goes to post it by hand. Maddy, who is waiting with baited breath in her garden for the post snatches the letter, and follows Jean all the way back to the salon.

Emilie realises her 'good deed' has backfired, and so a line of well-meant lies are spun to avoid heartache. All the while Emilie has no idea that Jean is the sender of the original letter.

I won't spoil the ending, as I urge everyone to watch this film. In the first few scenes I was convinced it was going to be almost identical to Amelie, I mean you couldn't get two more similar names if you tried! And anyone who knows me, knows how much I love Amelie. Perhaps then it could be said I even wanted the two films to be similar. And yes, in a way they are, but Amelie and Emilie are two entirely different characters, and as usual Tautou lends herself perfectly to her role.

There were only two things that I picked up that drew me out of the action, one misspelled subtitle (sop instead of stop) and a silly shot where it looked like the camera man forgot to pan with Maddy's feet. Pedantic? Yes, undoubtedly, but that's what being on a film course does to you. It destroys the pleasure of watching a film and taking it at face value. Otherwise I felt completely rapt and immersed in the story, it had a carefree feel to it, like it was set in a blazing French summer in the 80's.

The title is very much the feel of the film, lots of lies between several very beautiful people. From the boyish femininity of Tautou (does that make any sense?) to the olive, dappled skin of Jean, and even Maddy possessed a certain mature beauty it is so easy to fall in love with this film. It has easily escalated to the top of my favourites list along with Amelie, Priceless and Angel-A. But then I've always been a fan of foreign films, and there's something to be said for the French language, it flows, a lot like Welsh, but if you'd have set this film in Cardiff and in Welsh it certainly wouldn't have the same feeling!

Another great thing about this film, is that it isn't soppy and it isn't completely far-fetched like a lot of love stories. A sign of a good film, to me at least, is the feeling of being a part of the story, an onlooker and forgetting that what you're watching has a bunch of equipment, a script and several people running around with coffee and props just yards away from the action on screen. This has as much to do with good acting as it does with a great story. It's only at the end, or during a desperate run to the bathroom that you remember you're sitting on a sofa, or in a dark room with lots of other people!

Fantastic film, a definite recommendation for any film lover. That is if you can put up with the subtitles! 10/10.

Sunday 15 January 2012

Apollo 1.....Zzzzzzz *snort* *jump* oh, sorry was I asleep?

Title: Apollo 18
Year: 2011
Synopsis: Crap.

I remember seeing the trailers for this way back when I was last at the cinema. During a trip down south just after Christmas I was in heaven....I mean HMV when Chris pointed it out. I'm a little iffy with some kinds of horrors, and I managed to miss seeing it in the cinema. THANK CHRIST! I rue anyone who had to spend the extortinate price of a cinema ticket on this piece of cinematic UBERTRASH.

Ok, so the cover is all 'based on real footage' and to be honest I was a little scared. The idea of being trapped somewhere in space where any number of things could go wrong and you would die a very lonely death is quite scary to me Anyway, I digress. There are these three blokes, I've forgotten their names but for ease I'll call them Bob, Achmed and Jib. They kiss their families goodbye for a mission they're not allowed to tell anyone they're actually going on. Cue alarm bells.

Achmed and Jib are destined for the moon while Bob keeps his beady eyes on them from the comfort of a shuttle orbiting the moon. Their mission is to collect some specimens (I think) of rock (whoooopydo!). Jib and Achmed make it to the moon fine, and around here it's ok to sleep for abour 43 minutes while shite all goes on.

Achmed and Jib have a few cameras and snazzy VHS tapes to record every tiny detail, presumably so they can show their mates back on earth and get all the renown for being giant cocks. Which they are. Anyway, they have their oh-so-important rocks all good to go when something goes wrong on take off back to the shuttle.

So, you're in space, and there's something wrong with your spacepod thingy. What do you do? Well, in real life you'd probably be half way home to earth, but in a 'horror' film one of you goes outside to investigate without a torch or any kind of weapon and it spells disaster. And oh-dear-god is it disastrous! Achmed the fool, goes outside and while Jib is pretending to be intelligent you hear screams of pain and anguish coming from outside.

'It'sinmysuit!!!!!' is all you hear for a few seconds while Achmed looks like he's wrestling an invisible crocodile. Oh! What was that!?!?!

A spider runs across his face........................................................................................................................................................................................................urght

sorry I fell asleep just remembering it.

Yes, a spider. Anyway, Jib makes some kind of heroic movements in Achmed's direction and drags him back inside. Like a traumatised infant, Achmed is convinced nothing happened till Jib realises he's pointing his camera at the ceiling and says.

'Buuuuuuuuut Aaaaaaachmeeeed yoooooooouuuuu'reeeeeeee bleeeeeeeeding!' In a derpy voice. Some impromptu surgery later, and Jib pulls out a shard of spacerock from Achmed's chest. He deteriorates quickly, muttering to himself, getting all bloodshot eyes and for some reason stands above Jib filming him while he sleeps. Weird.

During a moment of calm prior to the spider incident, Jib and Achmed go on a lovely walk over some moon-dunes and find another spaceship. A Russian one. I guess they wanted a lovely moon tea-party but were somewhat disappointed to find a fresh corpse lying near to the spaceship. Uhoh, there are those alarm bells again. Achmed and Jib hotfoot it back to their pod and demand to know if Houston knew about the Russians.

'Us? Nope we know nothing about the Russian spaceship that was sent to the moon and never came back because both cosmonaughts got eaten alive by space spiders. And no, this really isn't a suicide mission for your guys, which also has nothing to do with why you weren't allowed to tell your loved ones where you were going.'

A lot of face-palming and derps later, Achmed is losing the plot and Jib is running out of oxygen, when their moon buggy crashes and Achmed throws himself down a hole at the mother spider Jib makes a run for it to the Russian space craft in the hope of escape. By this point neither Houston nor Bob have made contact with Achmed and Jib.

Jib makes it to the Russian craft and manages to make it work, he reaches Bob who instructs him to try and take off and get near the shuttle to do a little space-walk to safety. Just then, Achmed turns up looking a little worse for wear and tries to break his way in with a hammer. Jesus Achmed, all you had to do was knock, but sadly, the spiders eat his face, he must not taste very nice though, as lots of blood ends up on the window.

I thought for a moment he'd make it, but as Jib takes off, those pesky rocks float up, and well, he gets eaten alive by hungry and apparently very territorial spiders. It's ok though, cause you see the tell-tale blood shot eyes and he's infected. Houston gets wind of their plans and tells Bob to abort or else!

Bob does not abort but Jib can't stop the pod from crashing into the shuttle. So they all die.

It pretty much ends there, apart from a few little lines about how Houston told their families they died in training exercises. Gah.

There is someone out there who is responsible for the trailer to this film. That person either needs a medal for piecing together the only coherent parts of the film, or shooting for being part of the biggest film cover-up in history. I remain undecided.

Today's lesson is: never pay full price for a new dvd. It just isn't worth it. Never again please.

-6.9/10

Horrible Bosses

Happy new year! It has been an awful long time since I posted anything but I've been quite busy with uni, Xmas, New Year and getting a puppy!

Horrible Bosses is a film I've been wanting to catch for a while. It looked good from the trailers and since Anison is one of my favourite actresses (yes, I know she's hardly Hopkins but I've liked her since Friends so shhhh :P)

There isn't much to say about this film, it was enjoyable and had a few funny moments, a couple were laugh-out-loud moments too. Three friends are plagued by their awful bosses, one is a tyrant who likes nothing more than belittling his staff, the other is a coke-head hell bent on squeezing every cent out of his late father's chemical company and the third (Aniston) is a complete nympho who crossed the line of sexual harassment long, long ago.

Fed up with their jobs and unable to find another position they drunkenly decide that hiring a hitman and killing them is their only option. Sober, the idea evolves to see them entering a shady bar in the rough end of town and meeting 'motherf*cker Jones' (so called as he stole money from his mother - just to clarify!) who diddles them for $5k to become their 'murder consultant'.

During plans to commit the murders themselves (by each murdering someone else's boss) they get caught in a tangled web of silly mistakes which eventually ends up working in their favour without anyone killing anyone else...much.

Hardly an edge of the seat experience, but those are rare for me these days at the best of times. I'd definitely recommend it for Sunday afternoon viewing as it suits most (bar young children of course).

6.9/10